W R I T E N O W !

SOME TRICKS OF THE TRADE:
PART ONE: JUMP-STARTING
Whether you’re struggling to write your debut novel or experiencing a writer’s block, you are not a writer if you don’t write, so let’s try to fix this today. It’s going to be a lot easier than you think. You just need someplace to work, a pencil and paper (or computer) and an hour or so per day to get started…
As you’re already aware by now, writing is a craft, a discipline, and you’ve probably also heard that you should undertake to do it every day. I’m not going to contradict this because it is essentially true—the more you write, the better you become at it. But, for some writers, even the most prolific ones, writing on a daily basis can prove to be a daunting task. And, since writing is such a solitary activity, there’s no one else on earth that can make us do it. Here are a few useful tools and some simple tricks that I rely on to keep myself focused and motivated everyday:
1. ENVIRONMENT IS A FACTOR. The phone’s ringing, the TV’s blasting, the dog’s yapping and your partner’s grumbling about dinner—YOU’RE RIGHT, it’s absolutely impossible to focus on your novel with all this stuff going on in the background, so, first things first, you need to find yourself a decent size hole to work in, preferably with a door on it, and get in there once a day. ALONE.
I deliberately write (and write deliberately) in a very small room. My modest study is only about 8′ x 9′ square and, aside from one stalwart black cat and a stoical houseplant, a desk, a chair, a computer, four walls and some reference books, there’s nothing else in this tiny universe but me and my manuscript. This is, of course, the ideal setup for a novelist, a quiet room with a door one can close and even sometimes lock when necessary, but, if you don’t have access to such a luxury, then just pick a peaceful setting, such as your public library, and choose a peaceful hour to regularly and ritually work there. PEACE is an operative word in all this, because you need to CONCENTRATE to write well. And to hear what you and your characters are thinking.
2. AVOID WINDOWS. Windows are for watching out of, for daydreaming in, or even, on special occasions, for jumping from, but you know you can’t write a novel if you’re staring out the window, watching traffic or about to take a flying leap, so just pull the curtains on those babies if you have to. Or, even better, sit with your back to them. By the way, if you consistently find that what’s going on outside is more interesting than what’s going on inside, it’s a sure indication that it’s time for another REWRITE.
3. LOOK FOR SOME GOOD SIGNS. I’ve got these four posted in my study. Yes, right over the window. There are a few other signs in there, too, of course, and I’ll get to them below, but here are the ones you need to begin with, what I would consider to be the essentials:
• Describe, describe, describe…
• Advance the [goddarn] plot!
• Edit, edit, edit.
• Wrap it up!
Type these out, click the ‘print’ button, and post them today. Or just make flashcards of them for whenever you’re writing away from home.
4. CHALKING IT UP. (Now for the really fun part. You’ll need a box of chalk for this…and, quite possibly, an inner child.) I don’t know about you but, on those days when I can actually locate my notebooks, I usually can’t decipher very much in them, either because I don’t have my reading lenses handy, or simply due to the fact that my handwriting is so sloppy. I’ve tried to compensate for these shortcomings by relying more heavily on my mental notes, but sometimes that’s just not enough to go on. Thank god, then, for four virtually blank walls and some chalk! Actually, you can chalk-up your notes just about anywhere. I also use my desktop and the doors. I make sure to keep plenty of the stuff around the house, too, so now, as long as I don’t misplace my study (hah) I can always find my notes and diagrams when I need them. Moreover, everything’s in super large print and, when I’m finished, it’s all perfectly washable.
(Go get yourself some chalk today. A wall is as good a place as any to start writing your novel.)
5. NOW THAT THE WRITING’S ON THE WALL. With the other half of my brain, I’m a visual artist, and, as a matter of fact, I even used to instruct drawing in a one-on-one course I designed called Advanced Drawing For Beginners. One day, while teaching, a student of mine who was making particular good progress asked me out of the blue, “What is art?” That caught me off-guard a bit and I hesitated before answering. What is art, I repeated to myself. Wow, what a question.
What is it that makes a sketch more than just a nice picture or a good illustration? What makes it rise above that, to the level of a work of art? After some consideration, I finally told my student that ART is, in essence, the profoundly unique and masterful expression of a human-being commenting somehow upon the human condition, a work that manages to transcend what it’s made of. “Ah,” she replied thoughtfully, and went back to her drawing. The following week she asked me, “But how do we create art then? Where does art actually come from?”
Where, indeed? It took me much longer to answer that one:
The brain has a tendency to fixate on those things that stimulate it and it’s very stimulated by conundrums. That’s why we seem so obsessed with our problems sometimes, because our brains are fastidiously attempting to solve them for us. This fixation is only natural. It’s precisely what the brain was made to do, to problem-solve, doing so with all the information it’s been fed, so that it can arrive at some reasonable conclusion and, whenever possible, actively CREATE a solution for us. Thus, because our experiences and our knowledge vary so widely from person to person, you and I might be faced with the exact same problem, but the way that our brains approach it and the ultimate solutions to it will be, necessarily, uniquely different.
When we regularly set our minds to the creation of a work of art, be it a drawing, a piece of music or a novel, we pose ourselves with a truly fascinating problem that our brains cannot resist tackling, that they are, in effect, utterly and artfully compelled to solve for us. And the beauty of it all is that, they will continue to work toward their profoundly unique resolutions even as we sleep.
So, all we are really required to do in this formula is to be present in the creative process and to faithfully devote ourselves and our minds to it, because:
DEDICATION = DISCIPLINE = MASTERY = ART

download the complete guide here for 99 cents
*content summary of the rest of this eBook below
PART TWO: (CONTENT SUMMARY)
KEEPING YOURSELF ON TRACK & WRITING WELL
This second section contains fifteen quintessential do’s and don’ts for maintaining your concentration and for advancing steadily and positively toward your goal of a finished and professional manuscript:
1. TRUST YOURSELF
2. APPLES ARE NOT ORANGES
4. PAY ATTENTION TO WHAT DISTRACTS YOU
5. BIG WORDS, FOREIGN PHRASES AND SLANG
6. THE MOST IMPORTANT QUESTION
7. STICK TO YOUR STORY
8. ADVANCE THE [GODDARN] PLOT
9. DESCRIBE, DESCRIBE, DESCRIBE
10. PACE YOURSELF
11. TALK NATURALLY
12. GIVE EVERYONE A CHANCE TO SPEAK
13. WRITE WHAT YOU KNOW & RESEARCH THE REST
14. BEGINNING TO END
15. WRITING WON’T HURT YOU
PART THREE (CONTENT SUMMARY)
TROUBLESHOOTING YOU & YOUR MANUSCRIPT
This final section addresses the most common stumbling blocks writers might encounter as they regularly work on their projects. It also endeavors to answer the most frequently asked questions about the ongoing creative process so as to divert potential stall-outs and pratfalls:
1. “I’ve been sitting in this dark hole for hours, but I just can’t write today.”
2. “Editing is boring.”
3. “Everything was going fine and then I hit a brick wall.”
4. “If I write this next passage, no one will ever speak to me again.”
5. “If I write this next passage, I’m going to feel totally naked.”
6. “There’s so much going on in my story now that I’m getting confused.”
7. “I dunno. Shouldn’t I brush-up on my grammar and punctuation first?”
AFTERWORD: As with all other undertakings in life, the ability to start a book and to successfully bring it to completion does not solely depend upon talent and inspiration alone. It is also requires some self discipline, sound organizational skills, and effective time management as well. For, without cultivating these often lesser-rated talents, even the most meritorious literary endeavor can flounder or outright fail. WRITE NOW is predicated on my belief that everybody has an important story to tell—at least one great tale harbored someplace deep inside them—and the guide is organized to help accomplish that feat. A current international bestseller, you can find it just about anywhere eBooks are sold for less than a dollar. It is, of course, also available for Amazon’s popular Kindle:
(the second in this series on writing dialogue will be released soon)
Thanks for reading this post today and best of luck to you!